All In Good Time is Ultan’s Single Out Now
Good Day Noir Family,
From the moment All In Good Time kicks off, it’s clear that Ultan has composed a track that doesn’t hold back.
All In Good Time is Ultan’s Single Out Now
The opening riff is solid and straightforward, an unpretentious call to rock with a pulse reminiscent of classic acts like Alice Cooper and Black Sabbath.
There’s no hesitation here, just a surge of hard-hitting energy that barrels forward like a bullet train.
The rhythm section does its job with relentless drive, propelling the track with a almost primal force. The guitars gallop like wild horses across open plains, their distorted chords full of grit and purpose. It’s this kind of raw power that keeps your foot tapping and your head nodding from start to finish.
Ultan’s bass lines channel that same no-nonsense ethos, simple, direct, and pounding with the kind of spirit Lemmy would’ve admired. It’s rock without the frills, a back-to-basics approach that reminds you of the genre’s essence: loud, fearless, and full of attitude. The vocals cut through the mix with a rough edge, delivering lyrics that match the track’s urgency and boldness.
There’s something invigorating about how All In Good Time doesn’t try to dress itself up. Instead, it embraces the straightforward rock aesthetic and makes no apologies. It’s loud, confident, and ready to blow the roof off any venue. In a world where rock sometimes loses itself in polish and precision, Ultan’s raw delivery is a refreshing jolt.
All In Good Time is Ultan’s Single Out Now!
Unstoppable!
All In Good Time is Ultan’s Single Out Now
The riff of this song just came to me spontaneously as most good riffs do. That’s what I love about songwriting – it’s a mystery!
John Paul O’Prey has been writing original songs throughout his adult life, believing the time has come for his music to be heard. His influences span generations, from early rock pioneers like Jerry Lee Lewis and Eddie Cochran to the iconic sounds of the ’60s and ’70s. He also draws inspiration from the rhythm & blues, hard rock, punk, and heavy metal bands of the ’80s. His style sits comfortably in the realm of AC/DC, Bon Jovi, and Motörhead, with subtle hints of R&B woven into his sound.
Beyond music, O’Prey is also a writer of poetry and prose. His book, The Dargan Prophecy, is available on Amazon under his real name, offering readers a thrilling literary escape.
Born and raised in Belfast, he left for London in 1990 before returning to Ireland, settling in Dublin in 1997. With a career primarily in construction and refurbishment, he has never played in cover bands or released music—until now. His songs are built on melody, driven by a strong beat, and packed with hook-laden choruses, reflecting a deep passion for rock music in its purest form.
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