October / Due is Dominic Manning’s Album Out Now
Good Day Noir Family,
Dominic Manning’s October / Due is a rare kind of solo album—crafted not in haste but in quiet persistence, layered with the texture of time and shaped by family, memory, and solitude.
October / Due is Dominic Manning’s Album Out Now
Built over years in home studios, tents in Spain, and family living rooms, the album holds a handmade quality that feels personal and quietly ambitious.
The opener, Miles From Anywhere, begins with gentle acoustic strumming, setting a contemplative mood. When the female vocal enters—performed by Dominic’s sister Sam—it’s like a soft breeze through a half-open window: delicate, sincere, and perfectly measured. There’s no grandiosity here, just the kind of understated emotion that lingers.
The Flaming Moth, an instrumental track, follows with an earthy, cinematic character that evokes the sparse yet emotionally loaded style of Gustavo Santaolalla. Subtle and evocative, it builds its story through restraint rather than drama.
One of the album’s most fascinating pieces is Nothing We Can’t Shake, which channels a quiet tropical sadness reminiscent of Brazilian bossa ballads. There’s a rhythmic sway to it, like walking alone on a beach in winter, the sky heavy but the moment peaceful.
Soft Mints (featuring Joseph Herd) emerges as a standout. It opens with a hypnotic groove that subtly draws you in, then gradually gives way to rich jazz-inflected piano flourishes. The track dances in the space between sophistication and intimacy, with refined musical choices that elevate without ever feeling calculated.
October Freeze brings a darker shade into the mix. Minimal and slightly eerie, it conjures the creeping chill of late autumn. Dominic’s vocal delivery here is nearly whispered, almost spoken—like a prediction from someone who’s seen too much and chosen to say little. There’s gravity in that silence.
Then comes Due, where Sam’s vocals return, adding a touch of brightness without breaking the album’s overall introspective tone. It’s more melodic, more direct—perhaps the most accessible track on the record—with echoes of the Cranberries in its clean guitar tones and bittersweet aura.
The album closes with The Flaming Moth (I Go Up) remixed by Dominic’s brother bENESKI. The reinterpretation transforms the track into something danceable and kinetic, injecting it with late-night energy while preserving its melodic core. It’s not just a remix—it’s a clever reinvention that suggests Dominic’s music has more than one life in it.
October / Due doesn’t shout for attention. Instead, it quietly earns your trust, track by track, with a kind of patience that’s becoming rare in an age of fast releases and faster skips. It’s reflective, diverse, and held together by the thoughtful production of an artist who seems less concerned with trends than with truth.
October / Due is Dominic Manning’s Album Out Now!
Reflective!
Dominic has been releasing music for nearly two decades, primarily with the alternative rock outfit Love Death Dreams and alongside the gifted Herd brothers. His more recent work includes the collaboration twentytwentysix with Jon Collins. His latest solo album, October / Due, is a deeply personal and collaborative project. Dominic plays, records, engineers, mixes, and masters nearly every element himself, with contributions from close family and longtime friends. The album reflects years of gradual creation, from tent recordings in Spain to baby grand piano sessions at his parents’ home. While rooted in DIY ethos, October / Due is expansive in scope and intimate in delivery—a headphone journey shaped by connection, memory, and experimentation.
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