Good Day Noir Family,
Doctor Black’s Tales from the Void is an album that thrives on contrast—between fury and fragility, weight and atmosphere—and it shows you its nature right away.
Tales from the Void is Doctor Black’s Album Out Now
The opener, “El Diablo,” charges out with hard-hitting riffs and a relentless pace, skirting the edge of metal while retaining the melodic sensibility of classic grunge.
There’s a rawness in its energy, yet the structure feels tightly coiled, as if every moment is measured for maximum impact.
“Oblivion” shifts gears with a grinding opening riff that soon collapses into eerie emptiness. A megaphone-styled vocal filters through the space like a broadcast from another dimension, setting a futuristic tone. Gradually, the song rebuilds itself; the vocals shed their disguise and the guitars expand, while the drums kick into high gear to drive the climax. The track’s arc makes it one of the album’s most striking transformations.
“Premonition” serves as an unexpected breather. Its reverberant arpeggio lingers like clouds brushing against distant mountains, delivering an introspective pause without breaking the flow. Then “In Hell” draws you back into the shadows. Gentle pads and a hypnotic guitar line lay the groundwork before crunching guitars and martial drums lift the arrangement into something both twilight-hued and heroic. The chorus erupts like a flare, balancing tension and release in equal measure.
“Drag Me Down” stands as one of the record’s heaviest moments, starting in an atmospheric haze before exploding into muscular hard rock. The song highlights the band’s ability to twist rhythm and melody into modern epics that feel genuinely alive. That same spirit drives “The Death of Art,” whose opening guitar hook latches onto your mind before giving way to massive chords, soaring melodies, and occasional growls that inject a sinister edge.
Closing track “Fucked Up Beyond All Recognition” begins as a quiet confession, only to break open around the forty-second mark with a sudden jolt of rhythm. Its shifting structure—tight verses, surging choruses—encapsulates the band’s talent for unpredictability. Tales from the Void envelops, slams, and then lets you drift again, proving how deeply Doctor Black understands the power of contrast.
Tales from the Void is Doctor Black’s Album Out Now!
Monumental!
Tales from the Void is Doctor Black’s Album Out Now
Doctor Black, founded by multi-instrumentalist and vocalist Rob Rees, is carving out a unique space in the alternative music landscape. Rob, a veteran of the UK music scene since 2007, infuses his extensive experience and distinctive worldview into the band’s sound. Drawing inspiration from Slipknot, Parkway Drive, and A Day To Remember, Doctor Black’s music is an aggressive yet accessible mix of metal, punk, and post-hardcore.
Edgar Allan Poets is a noir rock band built on the literary universe of Edgar Allan Poe.
For over a decade the band has explored Poe's psychology, Gothic aesthetics,
Victorian darkness, and his influence on modern culture — through music, writing,
and this archive. Their album 555 and store collections translate Poe's darkest
visions into sound and design.
Read more about the band →